Friday, May 26, 2023

The Times view on racist abuse of football players: Spain’s Shame


When English football was shamed by the racist abuse of players in the 1980s, the response by both the government and football authorities was robust. The Football Spectators Act of 1989 introduced banning orders of up to ten years for anyone found guilty of using racially threatening, abusive or insulting words. In 1993 the Kick It Out campaign was established by the English game’s governing bodies, including the Premier League and Football Association, to tackle discrimination at a grassroots level and provide a facility for fans to report incidents of abuse. No one would claim that the English game today is perfect — racism abounds on social media — but incidents of racist abuse at matches are now extraordinarily rare, and English football has become a model of diversity and inclusion for the rest of the world.

Compare this record with the shameful scenes in Spain at the weekend when fans chanted insults at a visibly distressed Vinícius Júnior, Real Madrid’s 22-year-old star Brazilian forward, during a match against Valencia. Nor was this the first time Vinícius had been the target of such abuse. The Spanish league has made nine formal complaints for racist abuse against the player over the past two seasons, most of which have gone nowhere. While some fans have been fined and banned from stadiums, so far only one faces a possible trial.

Vinícius has clearly been let down at every level of the Spanish game: by a referee who failed to take the players off the pitch on Sunday in line with international protocols and even ended up sending off Vinícius in the 97th minute after an altercation; by La Liga, which runs the league, and the Spanish football association, which have conspicuously failed to tackled racism in their sport; and by the police and prosecutors who have failed to bring any of the player’s tormentors to justice. Yet when Vinícius wrote on Instagram that “racism is normal in La Liga”, the response by Javier Tebas, La Liga’s president, was to attack the player for not turning up to meetings to discuss the problem.

Nor is Vinícius’s treatment an isolated case in Spanish football. Other black players have been subjected to abuse. That points to a wider problem in the Spanish game. Unlike football authorities in other countries, La Liga does not have the power to hand down punishments to fans on its own, but can only pass racism cases to local prosecutors. La Liga expressed “tremendous frustration” yesterday at the lack of sanction and convictions by the sports disciplinary bodies, public administrations and jurisdictional bodies to which it has reported racist incidents. It says it will request a change in the law to give it more sanctioning powers, including the right to require the partial or complete closure of venues, the ability to ban individual fans and impose financial penalties on clubs.

The government would do well to give La Liga these powers, if that is what it takes to drive racism out of the game. Spain is preparing to bid alongside Portugal and Morocco to host the 2030 World Cup. It is surely unthinkable that Spain could be chosen for the tournament unless and until it takes decisive action to drive racism out of the domestic game. After all, La Liga is second only to the English Premier League as the richest football league in the world. Its matches attract a global audience. What kind of signal does it send to the world if it cannot protect a prodigious young talent such as Vinícius from abuse by fans? Thirty years after Britain, Spain needs to Kick It Out. (The Times, Tuesday May 23, 2023)

Wednesday, May 24, 2023

I AM (TV series)

I Am... is a female-led drama series of standalone stories produced by Channel 4. Each of the 7 episodes is developed and written by Dominic Savage in collaboration with a top British leading actress, and centres on a titular character which the episode is named after, with improvised dialogue and themes including relationships, mental health, and empowerment. Each 47-minute film follows different women as they experience moments that are emotionally raw, thought-provoking and utterly personal. The filmmakers wanted an intimate but cinematic look for the episodes. The whole series was shot hand-held, as though we are eavesdropping on the characters, in order to add to the documentary feel of the drama. Totally engaging to watch. Available on streaming at Theflixer.tv and on COSMO.

See related article: I am, Channel 4

Friday, May 12, 2023

Torture Is Not Culture!

"AT SCHOOL THEY HAVE REPLACED THE SUBJECT OF CIVIC VALUES FOR
BULLFIGHTING VALUES"
British comedian Ricky Gervais has called for bullfighting to be banned after learning of the death of 29-year-old Miguel Ruiz Pérez, who died after being gored during summer festivities in the town of Lerín, in the northeastern Navarre region.
“Poor terrified bull. Ban cruel sports,” he wrote on Monday in a retweet of a Daily Mirror video showing Ruiz Pérez attempting to outrun the animal in a makeshift bullring while hundreds of people looked on.
Gervais has since posted a video on his Facebook page in which he says: “If you decide to torture an animal to death, I hope it defends itself.” Describing the people who watch bullfights as morons, he adds: “If you choose to fight a bull for fun, fuck you.”
The comedian, who shot to fame a decade ago in The Office, dismissed arguments defending bullfighting on the grounds that it was tradition, noting that slavery, witchcraft and child sacrifice were also once regularly practiced: “We’ve moved on… it’s about fucking time you stopped.”
Men attacking and terrorizing the Toro de la Vega in 2017
Gervais tweeted several times about bullfighting over the day: “A matador being killed by a bull is not the tragic bit. Torturing the bull for fun in the first place is the tragic bit.”
The video has since been shared around 10,000 times, with most people supporting Gervais’s position and calling for an end to bullfighting. Gervais is an active defender of animal rights, and recently joined a number of Hollywood stars in condemning the killing of Cecil the Lion in Zimbabwe last month by a US dentist. “Animals don’t have a voice, but I do. And it’s a big one. My voice is for them and I will never be quiet as long as they are suffering,” he has said.
Growing numbers of Spanish celebrities are also calling for an end to bullfighting and the use of animals in festivities. La tortura no es cultura (Torture isn’t culture) is an awareness drive initiated by PACMA, a political party that supports animal rights. Its campaign to ban the Toro de la Vega, an event dating back to medieval times in which a bull is ritually killed by residents of the town of Tordesillas, Valladolid province, each September 15, has been backed by actors and television personalities such as Dani Rovira, Jorge Javier Vázquez, Eva Isanta and David Muro.
“I find it abhorrent that people can enjoy the suffering of animals,” says Dani Rovira, star of last year’s hit Spanish comedy Ocho apellidos vascos. A demonstration is planned in Madrid for September 12 to call for an end to the Toro de la Vega.
Musicians and other artists have thrown their support behind a planned music festival in Tordesillas to coincide with the Toro de la Vega. 
El País in English, August 19th, 2015

"AND THAT PATRON SAINT, DOES HE KNOW WHAT YOU DO?"

Thursday, May 04, 2023

Plastic: Remaking Our World


The exhibition Plastic: Remaking Our World, presently on display at Lisbon's futuristic Museum of Art, Architecture and Technology (MAAT), looks at a revolutionary and deeply controversial material that we refer to by the generic term “plastic” but which, in fact, includes a universe of synthetic products, with different characteristics and uses. 

Plastic is everywhere, it’s the fabric of everyday life. Used and experienced differently across the globe as product and waste, it is essential yet superfluous, life-saving and life-threatening, seductive but dangerous.  Never has there been more urgency to understand the evolution of this man-made material over the past 150-years and to unpack the wondrous, yet cautionary tale of its invention and use. Plastic: Remaking Our World charts the material’s unparalleled rise, enormous popularity, and the dawning realisation of its destructive power. Probing design’s role within this story, it asks how plastic has both enabled extraordinary innovations and new ways of living, and at the same time contributed to the inescapable environmental pollution crisis we are experiencing today.

Divided into three sections, the exhibition opens with a film installation exploring the relationship between plastic and nature at a fundamental, geological level. The second section traces the history of plastic from its natural origins to the scientific experiments that were carried out with synthetic materials in the mid-nineteenth and early twentieth centuries. It continues with the rise of the petrochemical industry and its impact on the scale of production in manufacturing as well as the concern for the planet that grew towards the end of the twentieth century. Finally, the third section takes stock of contemporary efforts to rethink plastic and to implement alternatives, to reduce production and consumption and encourage reuse of plastic.
With this look to the future, Plastic: Remaking Our World is a call to action at this time of climate emergency.

Exhibition produced in partnership with MAAT, Vitra Design Museum, and V&A Dundee. Lisbon, 22/03--28/08/2023

maat