Showing posts with label LGBT. Show all posts
Showing posts with label LGBT. Show all posts

Sunday, March 15, 2026

Berlin Blossoms

In the December 1995 issue of Gay Times travel writer Stuart Linden looked at the post-Wall Berlin of the 1990s and asked what had been lost and what had been gained in the reunification process. I had kept this article in my paper archive since then and decided to type it up and post it online as it offers today's readers/travellers a new insight into what those analogical times were like as compared to our smartphone-centered digital age.

Die Löwenbrücke im Tiergarten / The Lion Bridge at Tiergarten Park

In the Stiller Don bar you can still find a huge painting of Lenin on the wall, although recently it's been moved from pride place into a dark corner , where it now gathers dust and a creeping nostalgia. Stiller Don is typical of the gay venues which you find in Berlin's former eastern sector. It's a small cafe bar with wooden furniture and low-hung, metal lampshades. On the pavement outside there are tables and chairs which become filled with men and women of all ages, deep in conversation. All of them quite happy to talk to a stranger, and share the secrets of where to find the best of gay Berlin. They are an intriguing, welcoming, un-westernised group of people.

For those into catching cultural change, there is perhaps no better time to visit Berlin. Six years after The Wall came down, the commercial differences between the west and east sectors of this city are quickly vanishing and, eventually, so too will the still-noticeable them and us differences in outlook. The former eastern sector houses one third of the gay scene and can still boast of a charm that is reminiscent of the gay scene in Prague, another former eastern block domain. Stiller Don is just one of the many gay bars that open at 6pm and close... well, when the last person goes home.  In contrast, the western sector bars are more like other pink-packaged venues of the civilised world --specialised, interior-designed, efficient and, above all, predictable.

In the months that followed the removal of the wall, there was an initial two-way flurry of mixing between east and west. But unfortunately, whereas former east Germans are till keen to visit West Berlin bars, the former west Berliners are not so interested in the bars of the east now they have tried them out. With this one-way ticket in operation, it may only be a matter of time before the scene of the east is forced to conform with the styles of its wealthier neighbours.

According to gay folklore, the colourful history of Berlin alone sets it alongside other European "gay capitals" such as Amsterdam, Paris or London. Times may have changed, but Berlin is still a happening place. Since reunification, both the eastern and western parts of the city have once again started to blossom. Berlin is to be the administrative focus of all German life once more, with the country's Parliament relocating to the rebuilt Reichstag by the year 2000. Money is being invested in buildings and infrastructure and, with this, the population is bound to increase. Whilst no German truly expects Berlin to continue as the avant-garde gay Garden of Eden that it has been in the past, there is a renewed air of excitement and daring found on the gay scene. This is a city set on maintaining its liberal traditions and the unified Berlin now has over 50 gay and lesbian bars, clubs and restaurants --all eager to suit every taste, no matter how bizarre.

The main hope for east Berlin is that it retains an architectural heritage mostly lost in the west of the city. After the Second World War, the west Germans brought in architects to rebuild their share of the city, whereas in east Berlin, the Communists slowly restored the bomb-damaged buildings or left them as they were. The result is that there remains and old-fashioned air about the east which seems to be reflected in the attitudes of the people too. East Berliners still value the art of casual conversation and their bars rely less on loud music and noisy architecture and more on one-to-one conversation, although you are still likely to hear Boy George crooning away in the background. In the west sector bars, cruising tends to be faster, and people seem shallower. 

Curiously, the reunified Berlin is now a city of not two but three distinct gay areas because the bars in the former west are themselves focused around two separate areas. Kreuzberg is the cheaper part, being alternative and almost hippy-like in decor and people. Here you will find the punks and the new bohemians of the gay scene, loitering in weird and wonderful places such as Cafe Anal (there are clear perspex partitions in the toilets, and flirtatious glances over chilled beers and frothy coffees are almost guaranteed). Bar Drama, a larger and very popular drinkers' bar, and Roses Club, a tiny bar to meet in and mellow the night away, both pull regular crowds which spill out onto the pavement on busy nights. 

It is in this area that you will also find an excellent mixed restaurant. The Last Supper serves a splendid mixture of vegetarian and fish dishes, divine to eat and each with delightful names like Madonna Duet (or how about Der Koch Auf Saude Maso Trip?). For me, the whole experience was made complete by the background music which included Marlene Dietrich singing Lili Marlene, followed by Liza Minelli belting out highlights from Cabaret. As with everything else with Berlin however, food does not come cheap, and a meal for two with a bottle of wine will set you back £50 or more. But, without doubt, the busiest gay district of Berlin is Motzstrasse. After taking the underground to Nollendorfplatz, you will find yourself in the Berlin equivalent of Soho, and here you are bound to stumble across somewhere to suit your personal taste. A useful starting point is the Berlin Lesbian and Gay Centre, which includes both a cafe, Man o Meter, and a dropping centre where they supply an excellent gay map covering the whole city. The information service also includes help to find budget accommodation.

This area is also home to Tom's Bar, a strictly men-only haven. A loing narrow bar with two rooms on the ground floor leads to a very popular room in the basement, which appeared to be lacking in ventilation as everyone who came out was blinking with blinking and perspiring somewhat. Next door to Tom's, Hafen is a very similar bar which attracts a younger crowd, but again one popular with the leather and tattoo brigade.

If you are interested in a more modern vision of gay Berlin then, just across the road, Lentz is possibly the busiest cafe bar in the city, oozing with Calvin Klein-clad bous of all shapes and sizes. The music here is up-beat and loud, the waiters are even louder and the crowd is youngest and the loudest of them all. The atmosphere is reminiscent of London's Village Soho or ManchesterManto --great fun, but bar prices that can sting at around £4 for a beer. 

In the Motzstrasse area, nobody hits the main gay bars much before 11pm because the clubs are open from midnight until 6am. But early evenings (and lunchtimes) can be spent in Cafe Bar Connection, a modern street cafe bar that makes excellent sandwiches too. The crowd is varied and, if you get there early enough, you can grab an outside table and get an eyeful of the kind of guys and gals you will be seeing later on in the clubs. 

Curiously, Berlin's main gay disco is called Club Connection, although there is no connection between the two. Surprisingly, the place is only open on Friday and Saturday, probably because the scene is very weekend-oriented. Five quid gets you in and buys your first drink. Music-wise, Techno is currently big in Berlin, but dancing is awkward  because the dance floors tend to be small and cramped. Only a quarter of Club Connection is given over to drinking and dancing, with the rest of the venue being more like a giant sex supermarket. There is a well-stocked shop selling all kinds of boy toys, two floors of cabins and video screens,  and the cellar provides a variety of naughty rooms with some lovely soft leather swings in one and a smelly bath in another.

In the daytime, the best place to find gay life is at the (in)famous Tiergarten, Berlin's answer to Hyde Park. A huge section of the park is known to all as Queen's Meadow if only because, in summer at least, you seem to find the entire resident gay and lesbian population of Berlin here --nude sunbathing, playing volleyball and riding around the many secluded pathways and ponds on bicycles. Should you visit Berlin in warm weather, relaxing with a picnic in the Tiergarten is a must, if only to soak up the atmosphere of the gay space. Cruising is blatant in the park and goes on all day and night. Whilst daylight is safe enough, caution is advised at night. Walking to the park past the Zoo, for example, you see reminders of the seedier side of Berlin night life in the form of of used needles carelessly discarded amongst the (more welcome) used condoms.

For another daytime pursuits, Berlin offers space and an element of calm that is lacking in most other cities. The city is comparable in size to London yet has a considerable smaller resident population, which means less traffic and less stress. The public transport system is extensive and has won many awards in Europe for its design and reliability (although I found it particularly difficult to master the underground due to the lack of sign-posting in the stations, often fining myself heading in the wrong direction). A trip on the underground (U-Bahn) or trams (S-Bahn) will cost around £1.75. If you are as hopeless as I was, then just throw yourself in the back of a taxi, wave a map in the driver's face and he will magically transport you to your destination. The only flaw in this approach is the cost. Taxi drivers in Berlin are honest to the point where they will even knock money off your fare if they have taken a wrong turn or got lost, but a taxi still costs £2.50 just to sit in, and from the Brandenburg Gate to the Stiller Don bar will cost a stonking £12.

Other methods of transport include rickshaw taxis and riverboat cruises but, if serious sightseeing is your thing, then try catching the Bus 100, which will take you through the Brandenburg Gate and past the Tiergarten. You can hop on and off this bus at will to get a closer look at places such as the Reichstag and Unter den Linden. The walk from Juni 17te Strasse (where there's an excellent flea market on Sunday mornings) and the Victory Monument (as seen on the U2 video) to the Brandenburg Gate and on down Unter den Linden, is well worth the shoe leather for the architecture alone.

If you go looking for The Wall, Check Point Charlie or the remains of Hitler's Bunker, then disappointment is almost guaranteed,  because [some of these landmarks] have been swept away by a country more keen to look forward than to dwell on its past. The Führer Bunker is actually buried under a children's playground (behind a record store at Wilhelmstrasse 92); the feeling is that to dig this up and open it to the public is more likely to create a place of pilgrimage for neo-fascists, than to simply remember an era of Berlin's history. There are plans to mark where the Berlin Wall once stood , but the city has other forward-looking priorities. One nod in the direction of history is the current rebuilding of the legendary Hotel Aldon to its original designs and on its original site, next to the Brandenburg Gate. 

I was in Berlin for just four days which proved to be fine for a first visit, allowing ample time to sample both the former east and west of this huge city. There must, however, be many intriguing gay haunts here that I never had time to discover and, if you really want to get a feel for where Berlin has been or where it may be going, you would be wise to stay for at least a full week. After all, Berlin may soon be the gay capital of mainland Europe once again. (Gay Times, December 1995)

Related articles:

Behind the shimmering 90s and Berlin’s great divide

Saturday, January 17, 2026

Heated Rivalry_ TV series

Smash hit Heated Rivalry offers 'reprieve' for LGBTQ+ community, creates conversation among hockey fans.

By Shireen Ahmed · CBC Sports · January 10, 2026



Two men sit down for a press conference. Both are wearing black blazers with white dress shirts underneath. Behind them is a series of logos. A screenshot from Heated Rivalry, a TV series based on Halifax author Rachel Reid’s novel of the same name that follows the love affair between two professional hockey players.

To say it has scored in unprecedented ways would be an understatement. Last week, my friend and colleague, Dr. Amira Rose Davis and I were chatting and she said “I can not believe you haven’t watched it yet!” Admittedly, I was behind on this riveting series.

According to Amira, it’s the perfect “Canadian hockey story” and automatically she thought of me. She and Dr. Jessica Luther even did a special segment on the show for our podcast.

But my interest is not only around this compelling series — shot, produced and created in Canada with Canadian talent — that is based on a book series by Haligonian Rachel Reid. Heated Rivalry follows the love story of two gay hockey professional players, Shane Hollander and Ilya Rozanov, on fictional NHL teams who hide their affair because of, well, hockey. I am fixated on the discussions in the media around it, and the progress.

The Canadian streaming sensation Heated Rivalry — which centres on a gay romance between two professional hockey players — has been a big hit with viewers, who have ranked it among the highest-rated episodes of all time on IMDB. Jacob Tierny, who wrote and directed Heated Rivalry, is no stranger to Canadian media. Despite the reaction to the series, men’s hockey remains as plain and unprogressive as usual. It is not a bastion of inclusion and diversity.

Over two years ago, the NHL banned Pride Tape then unbanned it. It was handled so poorly that even players decided to act against the policy that was meant to regulate theme nights. It reminds us that although there may be communities and players who care about the cause, the boardrooms and decision makers are not rooted in justice in sport, but rather swayed by reputation and powerful opinion.

Sure there are movements and organizations that seek to change this, but on the whole, men’s hockey is not a delicious space of uniqueness.

At the moment, there are no out players in the NHL. Is it because hockey may not be an environment where sport feels safe for those who refuse to conform? Can you really be your true self when there is no actual example of someone in professional men’s hockey being successful after coming out? According to reports, the NHL is the only pro league that has not yet had a former or active player come out.

Meanwhile, Heated Rivalry has become Crave TV’s most-watched original series ever. It has also become quite a fodder for discussion in traditional hockey spaces. The popular hockey podcast Empty Netters, hosted by two white, straight, male and former junior players, have not only done reaction videos to every episode, it has delved into plots, characters and deeper meaning within the show.

Last month, the Montreal Canadiens showed the trailer during a game. And the Boston Bruins even made reference to it in a social media caption after a charged game against the Habs. 

One might consider this a win-win situation. Gay hockey plots in mainstream media?! 

But could it be argued that those jumping on the Heated Rivalry bandwagon may not be as culture-altering as we have hoped? There are certainly new fans coming from the show interested in hockey, which is the backdrop of the show. 

I spoke with Harrison Browne, the first professional trans hockey player — now actor and author — about the show and the intentionality of the fandom.

Browne, who has a role in the series, admits that he didn’t expect the show to be the global pop culture phenomenon it has become.

“The resurgence of [positive] attention to trans people in sports has been exciting,” he told me during a phone call. “The amount of love has been on par with [or more] than I got when I came out.”

Exposing audiences to untraditional stories

He says it has been a "cool shift" to see himself in a queer hockey story in a way that he can be recognized but also be helpful to others in the wider community. Tierny selected him for the role because he is a great actor not because he’s great at hockey.

Browne says that exposing new fans to a story they may not see in a traditional hockey space has benefits. And he admitted that his following on social media has doubled and gotten him a lot of attention, hopefully leading to more opportunities.

But I can’t help but feel like hockey players and individuals with power ought to do more.

Soon on Movistar+


Wednesday, October 22, 2025

Boots_series


A current Netflix tv series review by Josh from joshatthemovies.com
Inspired by memoir The Pink Marine by Greg Cope White, Netflix’s 90s-era dramedy, Boots, takes aim at the homophobic realities of being a Marine during that decade. Gay people, openly serving in the U.S. military, was not legalised until 2011, well after some of the unfortunate events that take place during this compelling series.
Undeniably, The Pink Marine is a better title and thankfully carries over as the name of the debut episode.
Closeted eighteen-year-old Cameron (Miles Heizer, 13 Reasons Why) enlists as a Marine, becoming our window into a world of toxic masculinity, intense tests of physical and emotional endurance, and ultimately, the bonds formed through forced camaraderie.
Some viewers may be disappointed that the queer struggles materialise as more internal than external in Cameron’s specific viewpoint. But make no mistake—Boots is a very gay, very emotional series with an excellent ensemble cast to anchor its intensity.
Presenting a critical analysis on the Marine lifestyle, 90’s time-capsule Boots houses a layered performance from Miles Heizer and moving queer subtext...
Available on Netflix and on ororo.tv

Thursday, June 19, 2025

Berlin's Memorial to the Homosexual Victims of National Socialism

In Nazi Germany, homosexuality was persecuted to a degree unprecedented in history. In 1935, the National Socialists issued an order making all male homosexuality a crime; the provisions governing homosexual behaviour in Section 175 of the Criminal Code were significantly expanded and made stricter. A kiss was enough reason to  prosecute. There were more than 50,000 convictions. Under Section 175, the punishment was imprisonment; in some cases, convicted offenders were castrated. Thousands of men were sent to concentration camps for being gay; many of them died there. They died of hunger, disease and abuse or were the victims of targeted killings. 

The National Socialists destroyed the communities of gay men and women. Female homosexuality was not prosecuted, except in annexed Austria; the National Socialists did not find it as threatening as male homosexuality. However, lesbians who came into conflict with the regime were also subject to repressive measures. Under the Nazi regime, gay men and women lived in fear and under constant pressure to hide their sexuality.

For many years, the homosexual victims of National Socialism were not included in public commemorations –neither in the Federal Republic nor in the German Democratic Republic. In both East and West Germany, homosexuality continued to be prosecuted for many years. In the Federal Republic, Section 175 remained in force without amendment until 1969.

Because if its history, German has a special responsibility to actively oppose the violation of gay men’s and lesbians’ human rights. In many parts of the world, people continue to be persecuted for their sexuality, homosexual love remains illegal and a kiss can be dangerous.

With this memorial, the Federal Republic of Germany intends to honour the victims of persecution and murder, to keep alive the memory of this injustice, and to create a lasting symbol of opposition to enmity, intolerance and the exclusion of gay and lesbians.

The memorial sits on the edge of Berlin’s biggest park, Tiergarten, within view of the Brandenburg Gate, Peter Eisenman’s Memorial to the Murdered Jews of Europe, and the new, terror-proof American Embassy. It consists of a concrete stele, thirteen feet high, with a small window through which viewer’s can watch a looped video, shot by Robby Müller (Wim Wenders’s cinematographer) and directed by Dogma 95 cofounder Thomas Vinterberg, of two men and two women kissing. The memorial was designed by the Danish-Norwegian duo artists Michael Elmgreen and Ingar Dragset, and was inaugurated in 2008.


Homo Memorial in Tiergarten, Berlin

Friday, June 06, 2025

FCKH8 on Gay Pride Day



















HAPPY PRIDE
All pics + texts form FCKH8.com Facebook wall

Hallelujah, a Queer Dance




Historic Montreal Church Is Backdrop for Queer Love Story Dance Video

The dancers soar across the church aisles and the altar, embrace as they spin and cover each other in blue and red chalk. They do this after opening video clips of homophobic protests and violence have flashed across the screen. All of this accompanied by a recording of Jeff Buckley’s popular song, Hallelujah. Near the end the two men share a brief kiss.  The final image is a large banner they create that reads ‘Choose Love,’ raised high over a backdrop of stained glass.
This dance performance video, entitled Hallelujah, was set and filmed in Quebec’s historic Church of St. Pierre Apôtre. It is a queer love story produced by Matthew Richardson –and the church leaders were happy to host it.

A still from the video.
“They welcomed me, my message, and our creation with open arms,” said Richardson, the show’s creator and  a former Cirque Du Soleil performer. Hallelujah is one of five dances he will direct as part of his Circus Queer Project. The video is deeply intimate in a deeply Catholic setting.

There is much to praise in this project: Richardson’s work and vision, the stunning grace of the dance in this particular space, the warm welcome of the Catholic community in Montreal, and the attention that it is getting in multiple publications. Further projects like Hallelujah are necessary in continuing to emphasize the beauty found in LGBTQ+ relationships in a long-denied religious setting. These initiatives, and their visibility, are essential to fulfilling the love that Catholicism promises to support and provide.

Saturday, March 15, 2025

Introducing Orville Peck, a Queer Artist of his Time

 Orville Peck's 'Bronco' album cements his place in pop culture — and country music


For artists of colour, queer artists and anyone who isn’t your typical Jack Daniels-drinking, pickup truck-driving crooner from the Deep South, finding mainstream fame in country music has always been an uphill battle. And summiting that hill isn’t even the end. Because earning fans is one thing. Being accepted and embraced by the vastly white, vastly straight country music institution is another struggle altogether.

Orville Peck discovered this in 2019, with the release of his debut album Pony. Here was a country artist who was born in South Africa, but lives in Canada, singing about love affairs with cowboys, not cowgirls. His elaborate disguises and cinematic visuals saw new audiences flock to the genre, hungry for more of the masked singer’s storytelling and deep, affectionate tenor.

Even Harry Styles was a fan—in November 2021, he asked Peck to play his ‘Harryween’ concert at Madison Square Garden in New York. 

But the old guard was harder to convince. 



“There were times when people straight-up told me this wouldn’t exist in the country world… they didn’t know where to place it, they didn’t know what to call it,” the artist said in a 2020 interview with GQWhen we catch up today, he says he’s still battling some of the same prejudices. “It’s funny, because I feel like I'm writing about the same stuff that straight country artists are writing about. The only real difference is I’m writing about a different gender."

“I think in 2022, the people who consider that an anomaly… they are the anomaly,” he adds with a chuckle.

Now, on the eve of Pony’s third birthday, Peck returns with his sophomore album Bronco. Where Pony felt charming in its stripped-back candour, and follow-up EP Show Ponywhich landed in 2020, popped with a more glittery sound (there’s a duet with Shania Twain), Bronco’s expansive soundscape and heavy-hearted lyrics radiate with authenticity, in a way that suggests Peck has come into his own.

“I wrote it with so much heart. It kind of wrote itself in a way, because of what I was going through,” offers the artist. “I was so busy with touring and so preoccupied with being a touring musician.

“Then Covid hit. Work stopped and it forced me to reckon with the fact that I was really, really unhappy as a person, I was running on empty, my personal life was hell, but I'd been distracting myself and escaping into my work.”

‘I sat around last year / wishing so many times I would die’, he sings on ‘The Curse of the Blackened Eye’.

Peck was also anxious about the inevitability of making a second album, and whether it would live up to the popularity of his first. It has. And his decision to double down on the nostalgic Western swing rather than rely on pop inflections—one critic likened Peck's vocals on Bronco to ‘a gothic Elvis Presley’—proves that Peck oughta be taken seriously.


“I think sometimes the best way to overcome barriers is to not even acknowledge them,” says the musician, when we ask whether he feels more accepted by the establishment. “I always approached my place in country music as if I already had a seat at the table. I sort of just sat down at the table, and people are finally starting to accept that I sit at it."

“Rather than wanting people to accept me, I realised that people would rather accept that I was already accepted, if that makes sense… there have been moments in my life career where I didn't believe in myself as much as I should've. And I'm glad that now, finally, I feel like I'm at a place where I don't question it for a second.”

At Coachella this week, as Peck belted out the melodies of Bronco in front of a crowd that chanted back every lyric, that sentiment rang delightfully, daringly true.









Friday, February 21, 2025

Gay Top Athletes: The Ultimate Taboo?_survey


In recent years, some top British, German, Spanish, Australian and American gay sportsmen have come out of the closet.

Would it be possible for a homosexual athlete,  footballer or basketball player to become openly gay and visible in your country? If a professional gay footballer were to come out, would he be respected?

Recently, three international footballers have taken the big step: British Jake Daniels at 17: "Now I just feel like I'm ready to be myself, be free and just be confident with it all"; Australian Josh Cavallo, at 21, with a deeply moving announcement on YouTube: "I'm a footballer and I'm gay. All I want to do is play football and be treated equally. I'm tired of trying to perform at the best of your ability and to live this double life. It's exhausting, it's something that I don't want anyone to experience. I want to tell all the other people that are struggling, that are scared, don't act like someone you are not. Be yourself. You are meant to be yourself, not someone else."; and Czech Jakub Jankto, at 27: "I don't want to hide any more"


On this subject, the powerful, engaging British short film WONDERKID (Rhys Chapman, 2016), which depicts the inner turmoil of a gay professional footballer as he strives to succeed as his true self in a hyper masculine, straight environment, is a must see.

Please, give this question some thought and post your comment (anonymous or not) in English or in Spanish below.